Panchratna Haar

I wish to write this blog in both English and Marathi...for the English version, please scroll down.

काही दिवसांपूर्वी मी माझ्या सऊला म्हटल की बर्याच दिवसांपासून गाण्याचा कार्यक्रम नाही पाहिला. त्यातून मधले चार महीने तर बाहेरच होतो. ह्या वर्षी दिवाळी पहाटचा कार्यक्रम पण बघायला कुठे गेलो नव्हतो. त्यानंतर १-२ चांगले कार्यक्रम आले होते पण जाणं काही झालं नाही. आणि काही दिवसातच भाऊ म्हणला की डोम्बिवलीला सारेगामापा लिटल चॅम्प्सचा कार्यक्रम होणार आहे. हे ऐकून माला "भगवान जब देता है ..." ह्या म्हणीची आठवण झाली.

अर्थातच मी जायचं ठरवलं, ते ही ५०० चं टिकिट काढून. १९ ता ला कार्यक्रम होता. सऊला माहेरी असल्यामुळे यायला जमणार नव्हतं. मी तिला सहानुभूति दाखवली (आणि मनात टुकटुक केलं) कारण तिला पण कार्यक्रम बघायची खुप इच्छा होती. मी भाऊ आणि वहिनी जाणार असं ठरलं. त्याप्रमाणे मी ६ लाच डोंम्बिवालिच्या घार्डा सर्कल च्या मैदानात पोहोचलो. लोकांची अलोट गर्दी यायला सुरुवात झालीच होती. आणि काही मिनिटातच पंचरत्नं तिथे येउन पोहोचले. इतके महीने ज्या रत्नांना टिव्हीवर पाहून मन भरत नसे ते आज डोळ्यासमोर आल्यावर सहाजिकच डोळ्याची पार्णँ फिटली. सगळेच मागच्या वर्षी पेक्षा उंच झाले होते. त्यांच्या पाठोपाठ ५ मिनिटातच पल्लवी ताई (मुलांची, माझी नाही) तिथे आली. वाद्यवृन्दाचे घटक एक एक करत येतच होते. निलेश परबला इतक्या जवळून पाहून खुप बरं वाटलं. भाऊ आणि वहिनी आले आणि आम्ही आत गेलो.

७.३० च्या सुमारास कार्यक्रम सुरु झाला. आयोजकांनी प्रेक्षकांच स्वागत केलं आणि सूत्र पल्लवीच्या हातात देताच तिने नेहेमी सारखाच कार्यक्रम दिमाखात सुरु केला. झी मराठीच्या नांदीने सर्व चॅम्पसनी सुरुवात कली. त्यानंतर प्रत्येक चॅम्पसनी येउन एक एक भक्ति गीत म्हटले. त्यांचे ते दिव्य आवाज पुन्हा ऐकून कान तृप्त झाले. मग प्रत्येकाने आपापले लोकप्रिय झालेलं गाणं म्हणायला लागले आणि कार्यक्रमाला रंग चढायला लागला. त्यातून एकाचे एक गाने झाले की पल्लवी अजुन एक लोकप्रिय झालेलं गाणं लगेच म्हणायला सांगत होती. त्यामुळे एक पे एक फ्री ऑफर मिळाली. त्यामुळे आर्याचं "माझ्या पायाला बांधलाय भवरा " नंतर लगेच "अहो सजणा " ऐकायला मिळणं म्हणजे एक प्रकारची पर्वणीच. तसच रोहित नी "मोरया मोरया" आणि कार्तिकिनी "कांदा मूळा भाजी" ही गाणी सादर कली. त्यानंतर हिंदी गाण्यांची एक फेरी झाली. आणि कार्तिकी देविन्नी "ओ लाल मेरी" म्हणून जीव खुश करून सोडला. त्यानंतर सत्कार समारंभ झाला आणि शेवटच्या फेरीत सगळी नविन गाणी सादर झाली. ही ५ ही गाणी अफलातून झाली. स्टेज समोरची मोकळी जागा रोहितच्या बोलावण्यावरुन नाचण्यासाठी भरून टाकली. कार्यक्रमाचा शेवट कार्तिकिच्या "कोमडी" गीताने झाला. आम्हा तिघांच्या तोंडातून नुसता "वावाकार" होत होता।

ह्या सगळ्यात सिंहाचा वाटा होता तो वाद्यवृन्दाचा. निलेशनी तर "रेशमाच्या रेघांनी" गाण्याच्या सुरुवातीची ढोलकी वाजवून सगळ्यान्ना मोहित करून ताकलं. ती पूर्ण संध्याकाळच अविस्मरणीय झाली. कार्यक्रम संपूच नये अस वाटत होत. पण तो जरी संपला तरी चॅम्पस ची ही घोडदौड कधीच संपू नये अशी आपल्या सर्वांचीच सदिच्छा आहे, नाही का?

And now in English -

Lately I felt that i hadn't attended a good musical program since a long time this year. The 4 months in summer were in UK and after that not very interesting programs came up (good excuse na...). Even the early morning Diwali programs were not as good as last year. Last year we had attended the b'day program of Pt. Hridaynath Mangeshkar and Asha tais surprise arrival was like a double Diwali bonus.

But then a few days back my cousin told me that the lil' champs are performing live at Dombivali on the 19th Dec. Of course I went; all loaded with my Canon S2 IS. I reached quite early but people had already started pouring in. And within half an hour the champs arrived. The jewels who were seen only on TV till then were right infront of my eyes and I was thrilled. These five have become the beloved Panchratna set of all the people of Maharashtra. And they were followed by the one and only, Pallavi Joshi. She does have glamour in her and is a crowd puller. People started clapping seeing her and as if following her famous "एकदा जोरदार टाळ्या झाल्या पाहिजेत" line. The orchestra was coming in pieces and by 7.30 the show began.

The organisers introduced the cause of the show and handed over to Pallavi and off she was with her regular sweetness. The five started the show with the Zee Marathi song. Listening to those divine voices again, that too live, was bliss. Then followed a round of religious songs and then each of them sang their popular tracks. And was asked to sing another one immediately by Pallavi. So Arya sang "Maazya paayala" and "Aho sajana" back to back. It was like a buy one get one free offer. After this there was a round of Hindi songs which were equally popular, esp. Kartiki's "O laal meri" thrilled the audience. The last round after a small felicitation was that of new marathi songs like "Ye go ye" by Rohit, "Navri natali" by Kartiki and "Chham chham karta" by Arya. The show concluded with Kartiki's "Kombdi", the most popular marathi song today.

A huge round of applause was also regularly given to the musicians who were ammazing. Nilesh was the favorite with his mindblowing dholki rendition for various songs, esp. "Reshmachya reghanni" for Kartiki. It was a unforgetful evening and will be like a benchmark for many to come. The champs schedule was the longest one on Zee Marathi and I am sure the career path of each of these champs will be equally long. Bless all the Panchratnas. May you continue to entertain us for ages to come..

Star studded new moon day

We all know that the sky looks most star-studded on a new moon day. But what I am talking here is a little different. It was a new moon alright, but with char-chand shining. Hold on, I will explain. What will you say when the King of Indian percussion, Tabla and the Maharaj of Kathak are performing together? Yes, you guessed it, I am talking about the live concert performed by Ustad Zakir Hussain and Pt. Birju Maharaj which was held in Dombivali's Savitribai Phule auditorium on the 25th nite. And I was one of the blessed few who attended it, very much by strong luck. I got 2 tickets for the concert only by luck, as the one who had bought it was not able to attend (I know...how unlucky).

So we reached the audi and the show started after a boring initial felicitation by the organisers, of the organisers, for the organisers, which seemed never ending. The audience finally was so irritated that the speakers were greeted with claps as soon as they stood for saying a few words, hinting them clearly to shut it up. And then Ustad started off with his magic. I was hearing him live for the first time and was mesmerized right from the start. His fingers on the Tabla were ruling the auditorium. And soon after, Pt. Birju Maharaj entered to a huge round of applause. And the show finally started. His feet moved so swiftly, that were the ghungroo alive, they would have asked for rest. All this at the age of 71. He presented a big variety of kathak sequences with detailed explanation, which helped even an illiterate like me understand the dances. Ustad Zakir Hussain was competing very efficiently to the steps. Pt. Birju Maharaj showed the varied rendition of the nos. from 1 to 8, 1 to 5, some short story sequences among many other sequences. The best were the elephant walking and the peacock, which is very famous, and which took the crowd to amazement.

During the break, the organisers again came on stage for felicitation of the maestros, and then before we knew that we were there for a surprise, they announced that the Queen of Indian Hearts, and an expert kathak dancer had come to attend the function. Who you are wondering? Well take a look for yourself...


Yesssss, Madhuri Dixit had come with her two kids, and family to attend the extravaganza and we were all blessed by her presence. The fourth chaand of the nite was Faisal Qureshi, brother of Ustad Zakir Hussain and an ace percussionist himself. They all were given bouquets and then Madhuri spoke a few words about her experience with Pt. Birju Maharaj during Devdas shooting, in Marathi. Ahahaha....it was pleasure to the ears.

The show soon resumed with Pt. Birju Maharaj's student Saswati Sen's performance, and she too danced elegantly, with no. sequences and narrations. The last dance on the poem composed by Panditji himself was exquisite. Yes, he is a very versatile artist, who knows dance, tabla, poems, singing, and maybe a lot of other arts. Then Maharaj again stepped on the dance floor and performed a few more grand sequences. I missed a part of it, since I went backstage to take a glance of Madhuri, when she left.

The jugalbandi between the two maestros was definately out of the world and I am proud to be a Hindustani which is home to such great artists. I salute Ustad Zakir Hussain and Pt. Birju Maharaj and thank the almighty for giving me the chance to witness the grand concert. This was the second surprise in a concert, the first being Asha tai's presence at the 72nd birthday of Pt. Hridaynath Mageshkar, on the eve of Diwali, last year. More about it in later posts. I wish I get more such concerts and surprises too!!

Music Review - Rab ne ..

Music Director - Salim-Sulaiman

This is the first music review I am writing and so I request all who read to leave a comment in the comments section if the review meets your views or not. This will give me a wider perspective of public liking, which will in turn help me write better reviews. So here it goes.

I totally liked Fashion's music score, also by the same director duo, especially the theme of the movie, as I have already said in my review blog of the movie. I have been listening to the clippings of Rab ne... on TV, and it being a King Khan movie with Adi directing, there's always a special place for the combo (though Jatin-Lalit would have been the best bet). So I listened to the songs today after Rahul's recco. I found the songs quite good, though not as good as Fashion.

Tujh mein rab is a slow paced song with a slight sad melody. The song is sung by Roopkumar Rathod and the music is quite simple with dafli as the percussion. It somewhat reminds of Dil de diya hai.

Haule haule, which is making clippings on TV channels, is a good catchy number with the harmonium playing to give it an orthodox feel. But Sukhwinder's voice keeps the song fresh. The pace of the song is a little more than slow. Lyrics also not too great or sort.

The third number is the upbeat techno Dance pe chance. This is a fast paced dance song, as the title suggests and has all the modern instruments with a bhangra feel. What I liked more are the lyrics which explain various dance steps to a learner - simple but nice. This will surely keep doing the rounds on dance floors and weddings for some time. Sunidhi does a good job, as always.

The fourth song, Phir milenge, is a medley of old song titles and musics put into a mix. Sonu has sung this one and the lyrics have been woven into each other very nicely - a song very similar to Mere Jeevan Saathi. I am sure this song will be more exciting to watch than listen and will be sort of similar to Dhoom tana from Om Shanti Om.

The fifth track is a Shreya Ghoshal version of Tujh mein and is no different.

The final sixth song is Dancing Jodi which is also a techno mix making it a dance score. It has instrumentals from other songs of the album like Dance pe chance, Haule haule etc. It gives a feel of remixes from Fashion.

Summing up, the music is good and may sound even better in the movie. The dance numbers will be on the charts for some time and the director duo has a good year to look back.